You Can See Everything takes the No. 1 spot at the weekend box office for October 30–November 1, 2026, earning approximately $10.6 million domestically. The A24 release finishes just ahead of Clayface, which brings in $10.4 million in its second weekend.
The difference between the two films is only $200,685 on the current chart. Wildwood holds third place, while Wicker moves ahead of Street Fighter to take fourth. The ten highest-ranking releases collect a combined $47,176,102, or about $47.18 million.
The table follows Box Office Mojo’s October 30–November 1 domestic chart as available November 1. Reported figures, including estimates, may be revised. Domestic grosses cover the U.S. and Canada; cumulative totals below are domestic, not worldwide. The Top 10 sum covers these ten releases only, rather than the entire marketplace.
Weekend Box Office Top 10: October 30–November 1, 2026
| Rank | Movie | Weekend Gross | Change | Theaters | Domestic Total |
|---|---|---|---|---|---|
| 1 | You Can See Everything | $10,600,685 | −43.4% | 3,243 | $63,882,597 |
| 2 | Clayface | $10,400,000 | −56.7% | 3,478 | $44,064,252 |
| 3 | Wildwood | $7,491,417 | −39.1% | 2,939 | $25,896,210 |
| 4 | Wicker | $4,125,000 | −28.2% | 2,374 | $13,261,094 |
| 5 | Street Fighter | $3,200,000 | −62.7% | 2,825 | $53,012,121 |
| 6 | BTS World Tour ‘Arirang’ in São Paulo: Live Viewing | $2,800,000 | New | — | $2,800,000 |
| 7 | Resident Evil | $2,525,000 | −13.0% | 1,943 | $157,398,502 |
| 8 | Other Mommy | $2,500,000 | −36.0% | 2,329 | $55,625,130 |
| 9 | The Only Living Pickpocket in New York | $1,919,000 | +1,284.0% | 1,112 | $2,120,000 |
| 10 | Heart of the Beast | $1,615,000 | −33.9% | 1,695 | $65,110,233 |
Source: Box Office Mojo. Change compares weekend grosses with the preceding weekend. “New” denotes a new entry on this weekend’s chart. A dash means the source does not list a theater count.
You Can See Everything Moves Into First Place
In its third weekend, You Can See Everything rises from second to first despite a 43.4% decline. Its expansion by 588 theaters gives it 3,243 locations, and its domestic total reaches $63.88 million.
The lead is narrow enough that revisions matter. For now, the film has overtaken last weekend’s winner without a new opening displacing either title. That makes the changing positions among returning releases the main story at the top of the chart.
Clayface Nears $83 Million Worldwide
Clayface follows in second with a 56.7% weekend drop and a $44.06 million domestic total. Its release is slightly wider than the leader’s, but the difference in attendance dollars favors A24’s film. For more on the DC body-horror film, read our spoiler-light Clayface review.
On its individual release page, Mojo also reports $38.9 million internationally, bringing Clayface to $82.96 million worldwide. That global figure is separate from the domestic ranking above.
Wildwood Holds Third as Wicker Adds Theaters
Wildwood earns $7.49 million, retaining third place. Wicker follows with $4.13 million after adding 903 locations. Its 28.2% decline is smaller than those of the other films in the Top 5, though the expansion is an important part of that comparison.
Street Fighter rounds out the Top 5 with $3.2 million. It loses 750 theaters and falls 62.7%, while its cumulative domestic gross passes $53 million.
BTS Enters the Top 10, and Pickpocket Expands
BTS World Tour ‘Arirang’ in São Paulo: Live Viewing is the highest-ranking new chart entry, placing sixth with $2.8 million. Mojo does not provide its theater count, so a per-location comparison would be incomplete.
The Only Living Pickpocket in New York climbs into ninth as it expands from six theaters to 1,112. Its large percentage increase therefore reflects a substantial rollout, rather than a like-for-like comparison with last weekend’s footprint.
Resident Evil Posts the Smallest Top 10 Decline
Resident Evil falls just 13%, the smallest decline among the returning Top 10 releases, and moves from eleventh to seventh. Its $157.4 million domestic total remains the largest cumulative gross in this group.
Other Mommy and Heart of the Beast complete the returning lineup. This weekend illustrates why rank alone is not a complete measure of a film’s run: theater changes, release age and cumulative earnings tell different parts of the story.
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Thomas Miller is the founder and Editor-in-Chief of Seat42F, covering television, movies and streaming entertainment. He launched Seat42F in 2007 and has spent nearly two decades covering the entertainment industry.
